Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.
Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc
Editor: Wah Keung Chan
Assistant Editor: Andreanne Venne
ISSN: 1206-9973

There used to be a drivetime programme on BBC Radio 3 called Mainly for Pleasure. They changed the title when too many musicians referred to it as Strictly for Cash, but the formula got thrown away with the concept. We forget that music exists primarily for pleasure and we tend to disparage those albums and concerts that aspire to no higher purpose. Here’s one. Tim Posner, principal cellist of the Amsterdam Sinfonietta, has chosen three works for cello and orchestra for a signature release. Two are very Jewish and familiar, the third less so. Posner brings a freshness to all…

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Sir Andrew Davis, former conductor of the Toronto Symphony Orchestra, died of Leukemia on Saturday, at the age of 80. Davis led the TSO for thirteen years, from 1975-1988, making his tenure the third-longest in the orchestra’s history.  In 2018, he returned to the orchestra for two years, acting as interim director between Peter Oundjian and Gustavo Gimeno.  In 2012, Davis earned a Juno Award for his recording of Massenet’s Thais with the TSO.  His final performance with the orchestra was in November of 2023, when he conducted them alongside the Amadeus Choir in a performance of Fauré’s Requiem and…

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The Philadelphia Orchestra tours all over the world, but this past Wednesday marked their first performance in Toronto under musical director Yannick Nézet-Séguin.

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There was a time when I could not get through the month without experiencing Elgar’s music in the flesh. So English, so reassuring, so easily chiming with a young man’s frustrations and aspirations. These days, there is much less Elgar about and I have no idea where one might turn for instant comfort. The arrival of two Elgar sets in the same week is both encouraging and challenging: might there be two paths to Elgar in a century of cultural retrogression? Mark Elder conducts both symphonies at the end of a quarter-century as music director of the Hallé, an orchestra…

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All is Love, the new Opera Atelier production is a heterogeneous mix of numbers that impress individually but fail to add up to a dramatically satisfying whole.

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I was never a fan of viola jokes. Just because the instrument is neither one thing nor the other doesn’t make it any funnier than a mezzo-soprano or a bass-baritone. It is what it is, with benefits. The viola spares you squeaky irritations of a violin and lugubrious growls of a mishandled cello. I like the viola. There, I’ve said it. What’s special about this release is the eclectic menu assembled by a young Jamaican-American, Jordan Bak, who is clearly going places. Bak opens with a three-minute Chant by Jonathan Harvey, dinking back and forth between tonal and post-tonal contemplation.…

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Welcome to La Scena Musicale’s weekly Highlights, a roundup of classical music news from Canada and beyond. It’s season announcement time, and Canadian artists are popping up across the classical music globe. Bavarian State Opera Munich’s fabled Bayerische Staatsoper (Bavarian State Opera) recently announced its 24-25 season, with several Canadian singers in the mix. Bass-baritone Gerald Finley will star in the title roles of Wagner’s The Flying Dutchman and Verdi’s Macbeth. He’ll share the stage with fellow Canadian Sondra Radvanovsky as his Lady in the Verdi, while the soprano also takes on the titular role in Puccini’s Turandot. Mezzo-soprano Rihab Chaieb returns…

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